[CP 092 CD] Michael Sahl; Tropes on the Salve Regina +

2021 reédition, now including Sahl's side of the 1968 Vanguard-label (although what we're actually hearing is the elusive, superior 1978 Australian World Record Club "Astor" pressing) "A Mitzvah For The Dead For Violin And Tape b/w Lyric Variations For Violin And Computer" set as performed by Paul Zukofsky & featuring a stellar Electronic component produced by Sahl at Morton Subotnick's private studio in 1968! Then, as a bonus final track, we're treated to the title cut from Robert "Cleve" Pozar's 1967 Savoy-label LP "Good Golly Miss Nancy" featuring Pozar in a real-time duet w/ an incredible Sahl Moog-freakout (likely similarly composed & produced at Mort's) - Sahl & Pozar worked together often over the years, most notably on the scores for Joel M. Reed's "Blood Bath" & "Bloodsucking Freaks," joined on the latter by Michael "Trip-Tych" Lobel, but also on the early 80s Eric Salzman collaboration "Civilization & Its Discontents" (which I'm sparing you here as a kindn