BOMB 124 / Summer 2013

INTERVIEWSART — HOPE GANGLOFFby Yuri MasnyjFor Masnyj, Gangloff has an uncanny ability to capture character in the exaggerated clarity of her art. They met at Cooper Union, whose activist students are the subjects of Gangloff’s recent portraits.MUSIC — RICHARD THOMPSONby Keith ConnollyFairport Convention helped to bring traditional music into British folk rock back in the ’60s. On the through lines from the early Fairport albums to Thompson’s solo latest, Electric.FILM — MATÍAS PIÑEIROby Clinton KruteThe Argentine filmmaker shuffles portions of Shakespeare’s plays into structured films that portray the slippage between words and reality.ART — JOANNE GREENBAUMby Jeremy SiglerThough Greenbaum would rather keep her art-making process to herself, she speaks with Sigler on rage and play as great motivators.ART — GYULA KOSICEby Lyle Rexer and Gabriel Pérez-BarreiroKosice’s plans for a theoretical Hydrospatial City (1972) included spaces for “the emphatic dreaming of unre- alities” and for “t