COUPERIN: Les Apothéoses - Jordi Savall, Hopkinson Smith, Monica Huggett and others (Hybrid SACD)

Couperin is too easily seen as the tender, graceful and somewhat melancholy composer, whose soft-toned palette was the same as that which served the brush of Watteau. There was another Couperin who was a master of humour and whose claws were sharp. And yet another who was a musician involved in the aesthetic battles of this time and in the avant-garde. There were great battles, like the one to which the lovers of Italy rallied, and which led him to write, at the age of twenty-two or twenty-four, the first sonatas to appear in France. There were skirmishes, like that in which the sworn masters of the guild of minstrels opposed the royal musicians. In each case we find him participating zealously and actively – but also translating his own positions into music with his characteristic skill and lighthearted humour. LE PARNASSE OU L’APOTHÉOSE DE CORELLIGrande Sonade, en Trio1.Corelli au piéd du Parnasse2.Corelli, charmé de la bonne réception3.Corelli buvant à la Source D’Hypocrêne4.Enthouz