‘Feel It?'

‘Feel It?’ centers on a skeletal hand and skull arranged in a quiet but charged exchange. The composition leans into touch and perception—what is sensed, what is remembered, and what lingers just beneath awareness.   Eyes and lips appear within the structure, adding moments of intimacy and interruption. These elements soften the skeletal forms, shifting the work away from anatomy alone and toward sensation, vulnerability, and presence. The hand becomes an invitation rather than a gesture, asking the viewer to consider where feeling begins and where it is withheld.   In ‘Feel It?’, skeletal imagery serves not as an endpoint, but as a framework for reflection—on embodiment, impermanence, and the subtle tension between physical form and emotional experience.