BOCK, LOUISE - Repetitives in Illocality

Louise Bock is one of the performing names worn by Taralie Peterson of that most excellent duo, Spires That in the Sunset Rise. And the music on Repetitives in Illocality recalls a few aspects of Spires recent live shows. Its akin to a dreamily aggressive take on the outer fringes of early ECM-style improvisation. A lovely hover between out-chamber-jazz, new music and the unknown tongue. Using cello, sax and treated lap harp, Louise Bock creates surfaces that are sometimes as chopped as ice sculptures made with a chainsaw, and at other moments as smooth as the soft expanse of Brian Enos forehead. Those passages where the cello takes the lead are the most serious. Some passages, with their mournful sweep, almost sound like the slower parts of Kodálys Solo Cello Sonata. The treated lap harp has resonance qualities not unlike a jaw harp at times, enabled to produce long tone lines, as well as to wobble like a jaw full of loose teeth. When Taralies voice comes in, it can almost seem like M