Acrylic Portrait series #2 by Albert Radoczy

In this minimalist acrylic portrait, Albert Radoczy deploys an aesthetic where simplicity becomes not only elegance, but also a form of plastic manifesto. Far from demonstrative excesses, where ornamental abundance seeks to dazzle, this painting imposes itself through geometric rigor and formal reduction. Each line and plane is distilled with almost ascetic precision, as if the essence of the female figure – here, his idealized wife and muse – could only be captured in purity.The image is based on a triangular construction. Two red stripes, inclined towards an ascending and out-of-frame vanishing point, converge to frame a pointed white area. The organization of the face follows this logic of reduction. The eyes, stylized as green almonds, circled in black and blue, are integrated into the red shapes, accentuating the impression of a mask. The image is born from the dialogue between the colours and the rigour of the lines, as for the mouth and the nose, reduced to a simple expression.