Arnold: Complete Symphonies

There’s a very wide expressive range between the bright and breezy finale of Arnold’s Second Symphony and the angst-filled violence at the start of the Seventh, never mind the long, desolate finale of the Ninth. I suspect it will be a while before this strange, often disturbing, but colorful and compelling sound world achieves the acclaim that it deserves, and it may never get there all, but Arnold’s remains a distinctive voice and these symphonies deserve your attention. They certainly reward repeated listening, and even at their gnarliest they still feature memorable ideas presented with unfailing urgency and flair. My preference in complete cycles remains Andrew Penny’s on Naxos, both for consistent excitement and the fact that the performances carry the composer’s imprimatur. That doesn’t always mean much, but here the quality of the results speaks for itself. These Chandos versions, however, are just about as fine, even though the cycle is split between two conductors and orch