KOMM MIT MIR INS CHAMBRE SEPAR

Every opera diva who thinks something of herself has a secret love – operetta. And this is completely justified, when one thinks of and listens to the immortal melodies of Johann Strauss, Karl Millöcker or Franz Lehár. And is not Dubarry the younger sister of Violetta from La Traviata, and Rosalinde from the Fledermaus the reincarnation of Mozart’s Countess Almaviva? They love, they suffer and they sing and dance through the great dreams of their audience, often with a substantial shot of irony added to the words and notes. And thus opera and operetta are two sides of the coin called life – the comic and tragic variants of human existence. All these roles, selected with care, are included in the current repertoire of Noëmi Nadelmann. She has at her disposal all the attributes of a modern singer. Cosmopolitan simply by virtue of her half Russian ancestry, she was born in Switzerland, studied in America at Indiana University in Bloomington, where she allowed herself to become infected