Telemann: 12 neue Fantasien fur Oboe solo

Georg Philipp Telemann has gone down in musical history as a highly productive composer, not only working systematically to produce more more works than most of his contemporaries, but also taking on a variety of duties in high musical positions in places such as Leipzig, Frankfurt and, in the last 40 years of his life, in Hamburg. In the years 1732/33 and 1735 he wrote 4 collections of 12 Fantasies for flute, violin, harpsichord and viola da gamba - all for solo instrument, without bass continuo or other accompanying instruments. Since Telemann played many instruments himself, and it was quite common in his time to play individual compositions on different instruments (which can be seen particularly clearly in French Baroque music, of which Telemann was particularly fond), it is easy to understand why flautist Leona Rotzsch made a transcription for flute for Barenreiter-Verlag. Inspired by this transcription, which turns out to be generally too high for the oboe, I have made my own ve