Nessie

All tail. Nessie is made from real sounds that were sampled, resampled, and then pushed one step further through 100% wet reverbs. What’s left is all tail. But here’s the thing: when you commit to reverb like that (no dry signal, just reflections) you can start to control it. Shape the envelope. Sculpt the decay. It stops being a background texture and starts behaving like a lead. I began with real recordings (plucks, winds, percussion, tonal elements) and ran them through all kinds of processing before they ever touched the reverb. So by the time they reached the tail, they were already something else. The reverb just took it further. The result is 25 patches that shimmer, smear, and stretch. Atmospheric, but not passive. Super simple interface: envelopes, filters, cassette and bite. What you need: A full version of Kontakt 7 and up (not Kontakt Player). 4.26 gb of space on your drive.