Kings Of Leon WALLS

It's easy to forget that when Kings of Leon broke through in 2008 with Only by the Night, they were already four albums deep into their career. Buoyed by the popularity of hits "Sex of Fire" and "Use Somebody," the Tennessee four-piece transformed from ragged post-punk upstarts into arbiters of anthemic mainstream rock uplift, exposing their abiding love for U2 in the process. In some ways, the tonal shift made sense to a band poised to storm the awards stages next to similarly grand-minded acts like Coldplay and the Killers. It's a stance the band has assumed unflinchingly on subsequent albums like 2010's Come Around Sundown and 2013's Mechanical Bull. On their seventh studio album, 2016's WALLS, Kings of Leon clearly attempt to shake things up, hunkering down in Los Angeles with producer Markus Dravs (Florence + the Machine, Arcade Fire, Mumford & Sons), purportedly taking a looser, less critical approach to recording. The result is an album with a lean aesthetic that straddles t