Christopher Crenshaw's The Fifties: A Prism

This recording is only available as an MP3 or hi-res WAV digital download. Access the digital booklet and liner notes. *******************************************************************************  “All jazz is modern,” says Wynton Marsalis—and we owe the 1950s for that. The momentous decade became the crucible in which modern jazz was formed, as styles like modal, hard bop, third stream, and more melted together and artists like Miles Davis, Duke Ellington, and Ornette Coleman reached the height of their powers. Now, Jazz at Lincoln Center Orchestra trombonist Chris Crenshaw has taken inspiration from the era to create The Fifties: A Prism, the newest Blue Engine album. “When I was presented with the idea of coming up with a suite dealing with the 1950s, I immediately realized this was going to cover all the genres of jazz, from bebop to freedom music,” Crenshaw says. Recorded live at The House of Swing by the JLCO with Wynton Marsalis in February 2017, The Fifties does exactly