Unnamed Road

For Jungjin Lee, photographing the landscape is an exploration of her own mind - the introspective states of the artist, whose photographic gaze is insistent and transformative. Her latest project Unnamed Road approaches the contested territories of Israel and the West Bank by turning to the landscape. Her black-and-white images are self-contained worlds of stillness and wonder, as Lee searches for something constant in the life of the landscape. Her images suggest that despite the semblance of fluctuation, some fundamental truths do not alter: just as the surface of the ocean is constantly in flux, its depths in fact remain unchanged and enduring. Lee, who describes her photographic state as 'meditative', regards the act of photography as emotional and experiential, a moment when 'that absolute "echo" within myself travels through time and space'. Yet she struggled to find neutrality in a charged territory that she describes as 'uncomfortable'; it was only in final trips to sites in 2