Do What You Want To, It's What You Should Do

London indie pop trio Flowers formed in the time-honored tradition of bored roommates making music in their living room, inspired equally by the canon of melancholic fuzz pop that came before them and a lack of anything much else to do. If you're listening for them, these insular, housebound beginnings can be heard in Flowers' debut Do What You Want To, It's What You Should Do. The album smacks of newfound possibility, and sounds very much created in a bubble, despite production from veteran producer Bernard Butler. Across the album, Flowers wear their influences on their sleeves, channeling the minimalism of Young Marble Giants on tracks like album-closer "Stuck" as well as the dark, fuzzy wistfulness of noise pop bands like Black Tambourine or Henry's Dress on tunes like "Young" and the bouncy "Lonely." There are even hints of twee pop à la early K Records artists like Beat Happening or Lois in the simplistic chord changes and woozy melodies of "All Over Again." These reference point