New York: 1962–1964

by Germano Celant (Author), Christo Jim Dine Sam Sackeroff (Editor), Claudia Gould (Preface), Michael Rock (Introduction), Emily Bauman (Contributor), Ninotchka D. Bennahum (Contributor), Jennifer G. Buonocore-Nedrelow (Contributor), Olivia Casa (Contributor), Laura Conconi (Contributor), J. English Cook (Contributor), Maria Corti (Contributor), Michaëla de Lacaze Mohrmann (Contributor), Joshua B. Guild (Contributor), Liz Hirsch (Contributor), Hiroko Ikegami (Contributor), Susan Murray (Contributor), Kristina Parsons (Contributor) The radical cultural transformations that occurred in New York in the three years between January 1962 and December 1964 ramified across the world. In addition to a whole host of creative innovations across disciplines, the period also saw a shift in the center of artistic gravity from Europe to the United States and the rise of a new leadership in the arts―curators, gallerists and other impresarios. Modeled on the scale and format of Life magazine (one of th