DIGICO SD9 : Live Digital Console with Stealth Digital Processing™ RENTAL (LA AREA)

EMAIL for PRICEASK US! about the SD9 SD9 : OverviewDiGiCo SD9: “It's off the hook.....” The SD9 is a super-flexible, complete integrated system powered by Stealth Digital Processing and floating point Super FPGA technology. This lightweight, small-footprint console was designed with multiple applications in mind therefore is equally suited to life on the road or as part of any fixed installation, be it a theatre, conference centre, house of worship or school. The SD9 provides outstanding performance at a very competitive price point.Scratching the surface The SD9 features 24 touch-sensitive motorised faders and benefits from quick access function buttons for faster response times. At the heart of the console's worksurface is a 15-inch, high resolution TFT LCD touch screen with backlit display. In addition, the SD9 benefits from dedicated multi-function control knobs and electronic labelling.What's under the hood? The SD9 boasts 48 Flexi Channels (configurable as either mono or stereo) at 48kHz/96kHz, which is the equivalent of 96 channels of full DSP processing. Standard channel processing, whether inputs or outputs, includes Channel Delay, Single and Multi Channel Presets, Dual insert points, Hi- and Lo-pass filters @ 24dB/octave, four-band parametric EQ with band curve selection, Dual insert points, DiGiCo's DYN 1 (Compressor, De-esser or assignable Multi Channel Compressor) and DYN 2 (Gate, Compressor or Ducker). The console also benefits from eight Dynamic EQ processors, all of which can be assigned to any of the input or output channels. These powerful processors offer Dynamic processing on each of the four standard parametric bands, plus there are also eight assignable Multiband Compressors and eight DiGiTubes; and no matter how the console is set up, the user won't lose any resources, as all channels are equipped to provide the same high quality signal path and feature set. The master section incorporates 16 gangable 32-band graphic EQs, eight stereo effects (selectable from a palette of 33), and eight control groups (VCAs); and using snapshots, engineers can now switch between complete configurations in any live environment easier than ever before, be it at rehearsals, during system setup, or even at a show. We've also included 16 Flexi busses (mono or stereo), all of which are assignable as mono/stereo groups or auxiliary busses; and in addition to these busses, for further configurability, we've provided a 12 x 8 output matrix, dual solo busses, and a Master buss. Essentially, users have the equivalent of 47 busses of DSP at their disposal. Unlike all other digital console manufacturers, you don't lose Aux or Group Busses when using the Matrix as they are in addition, including the Master buss.I/O The SD9 has a vast Local I/O section including eight mic inputs, eight line outs, four mono AES/EBU, one MADI port, and two dedicated D-Rack Ports. The D-Rack is a 32-input, eight-output remote I/O rack which comes as standard with the SD9 with the option to increase to 16 outputs if desired. Users can also connect a second D-Rack (as with the Rack Pack combination) which will provide a total of 72 mic inputs. There is also a factory fit Optocore option which allows for connectivity to all DiGiCo racks and consoles in a redundant loop. In addition, there is an optional DiGiCo SoundGrid module which can be fitted to both engines for full redundancy when linked to two external PC servers such as SoundGrids or DiGiGrids. This provides the user with instant access to 16 fully integrated low-latency Waves stereo Multi Racks, each with the ability to have up to eight plugins per rack. That's 128 I/O - and as you'd expect from DiGiCo, this is all additional I/O. All Waves compatible plugins are pre-loaded, and as this is integral within the console, you have the added advantage of touch screen control; and all shapshots and session files are saved within the console. Click here for more info.Options The following options are available:    D-Rack   UB-MADI   Waves SoundGrid Module   Little Red Box   Little Blue Box   SD-Rack (with solutions box or Optics)   SD-MINI Rack (with solutions box or Optics)   SD-NANO Rack (with optics only)  SD9 : Technical Specifications General Specifications    Faders:: 24 x 100mm Touch-sensitive, motorised   Screens:: 1 x 15” (38cm) LCD high - resolution touch screen   Meters:: 24 x 8-Segment LED bargraph   Input Channels:: 48 Flexi channels Mono or Stereo   Busses:: 16 Flexi* (full processing**)   Solo Busses: 2 Stereo Busses   Matrix: 12 x 8 Matrix (additional to busses above)   Control Groups: 8, Selectable for VCA-style, Moving Fader, Mute Group   Graphic EQ: 16 x 32-band, Gain +/- 12dB   Internal FX: 8 Stereo FX Processors   Local I/O: 8 x Mic/Line I/O, 4 x AES/EBU: I/O (Mono)   MADI Interface: In / Out /   Optic Interface: Optocore (Optional Factory Fit Only)   MIDI Interface: In / Out / Thru   VGA Port: DB-15 Mini-Female (1024 x 768 Resolution)   USB Ports (3): USB 2   Light Connection (2): XLR3 1.2 – 12V   Ext Sync: Word Clock, MADI   Headphone: TRS Unbalanced / 8-600 Ohms 1/4 Inch Jack   GPI: 2 x 1/4” Jack TF   GPO: 2 x 1/4” Jack TF   SD9 Dimensions: 878mm (w) x 785mm (d) x 262mm (h)   SD9 Weight: 36Kg (105Kg with optional flightcase)   SD9 Flightcase: 1063mm (w) x 1131mm (h) x 472mm (d) (Optional):   SD9 Power: 90-264 VAC, 47-63Hz Auto Sensing. 208 watts, 232VA Requirements   Redundancy: Internal PSU x 2 (Optional) Audio Specification    Sample Rate: 48kHz or 96kHz   Processing Delay: 2ms Typical @ 48k (48 Stereo Channels, Stage Input Through L-R Buss to Stage Output) 1.1ms @ 96k   Internal Processing: Up to 40-bit, Floating Point   A>D & D>A: 24-bit Converter Bit Depth   Frequency Response: +/- 0.6dB (20Hz – 20kHz)   THD: <0.05% @ Unity Gain,: 10dB Input @ 1kHz   Channel Seperation: Better Than 90dB: (40Hz – 15kHz)   Residual Output: <90dBu Typical   Noise: (20Hz - 20kHz)   Microphone Input: Better Than -126dB: Equivalent Noise   Maximum Output Level: +22dBu   Maximum Input Level: +22dBu Processing Channel SpecificationInput Channel    Name: User-Defined / Presets   Channel Selection: Mono / Stereo / Multi   Input Routing: Main & Alternate Input   Analogue Gain: -20 to +60dB   Phase: Normal / Reverse   Digital Trim: -40 to +40dB   Delay: >1 Sec (Coarse & Fine Control)   DiGiTuBe: Drive 0.01 - 50.0   Bias 0 - 6   LPF: 20 – 20kHz, 24dB/Oct   HPF: 20 – 20kHz, 24dB/Oct   Insert A: (Pre EQ/Dyn) On/Off   Equalisation: 4 Band EQ: Parametric or Dynamic (Low/Lowshelf, Lower-Mid/Lowshelf, Upper-Mid/   Hi Shelf, Hi/Hishelf)   On/Off   Freq; 20 – 20kHz   Gain; +/- 18dB   Q: 0.1 -20 (Parametric) / 0.10-0.85 (Shelf)   Dynamic EQ On/Off   Over/Under   Band On/Off   Threshold; -60 – 0dB   Attack; 500us – 100ms   Release; 10ms – 10s   Ratio; 1:1 – 50:1   Dynamics 1: Single or Multiband (3-Band)    Compressor: On/Off   Threshold; -60 – 0dB   Attack; 500us – 100ms   Release; 10ms – 10s   Ratio; 1:1 – 50:1   Gain; 0 to +40dB with   Autogain Option   Link; Any Channel/Buss   Hi Crossover; 20Hz – 20kHz   Lo Crossover; 20Hz – 20kHz   Knee : Hard, Med, Soft    De-Esser: Threshold : 20us – 20ms   Release : 1ms – 100ms   Ratio : 1:1 – 50:1   Ess-Band : Listen On/Off   Ess-Band Filter Freq / Width: 20Hz – 20kHz   Dynamics 2: On/Off    Gate / Ducker: Threshold; -60 – 0dB   Attack; 50us – 100ms   Hold; 2ms – 2s   Release; 5ms – 5s   Range; 0 - 90dB   Key; Any Source   Key Listen   Freq/Width; 20 – 20kHz    Compressor: On/Off   Threshold; -60 – 0dB   Attack; 500us – 100ms   Release; 10ms – 10s   Ratio; 1:1 – 50:1   Gain; 0 to +40dB with   Autogain Option   Link; Any Channel / Buss   Hi Crossover; 20Hz – 20kHz   Lo Crossover; 20Hz – 20kHz   S/C Source : Any Source   S/C Listen : On/Off   S/C Filter Freq/Width: 20Hz – 20kHz   Insert B: (Post EQ/Dyn) On/Off   EQ/Dyn order: EQ/Dyn or Dyn/EQ   Mute: Channel Mute / Hard Mute   Solo: Solo Buss 1 / Solo Buss 2 / Both, Auto Solo   Channel Safe: Input, EQ, Dyn, Aux, Pan, Fade/Mute, Inserts, Buss, Directs,   Full Safe   Output Routing: Buss, Insert A, Insert B, FX   Direct: On/Off, Pre-Mute / Pre-Fade / Post-Fade, Level +/- 18dB   Fader: 100mm Motorised Fader ∞ to +10dB Processing Channel SpecificationAux / Group / Matrix Output    Name: User-Defined / Presets   Phase: Normal / Reverse   Digital Trim: -20 to +60dB   Delay: >1 Sec (Coarse & Fine control)   DiGiTuBe: Drive 0.01 - 50.0   Bias 0 - 6   LPF: 20 – 20kHz, 24dB / Oct   HPF: 20 – 20kHz, 24dB / Oct   Insert A: (Pre EQ/Dyn) On/Off   Equalisation: 4 Band Parametric or Dynamic   : Parametric Only   (Low/Lowshelf, Lower-Mid/Lowshelf, Upper-Mid/Hi Shelf, Hi/Hishelf)   On/Off   Freq; 20 – 20kHz   Gain; +/- 18dB   Q: 0.1 -20 (Parametric) / 0.10-0.85 (Shelf)   Dynamic EQ On/Off   Over/Under   Band On/Off   Threshold; -60 – 0dB   Attack; 500us – 100ms   Release; 10ms – 10s   Ratio; 1:1 – 50:1   Dynamics 1: Single or Multiband (3-band)    Compressor: On/Off   Threshold; -60 – 0dB   Attack; 500us – 100ms   Release; 10ms – 10s   Ratio; 1:1 – 50:1   Gain; 0 to +40dB   with Autogain Option   Link; Any Channel / Buss   Hi Crossover; 20Hz – 20kHz   Lo Crossover; 20Hz – 20kHz   Knee : Hard, Med, Soft    De-Esser: Threshold: 20us – 20ms   Release: 1ms – 100ms   Ratio: 1:1 – 50:1   Ess-Band: Listen On/Off   Ess-Band Filter Freq/Width: 20Hz – 20kHz   Dynamics 2: On/Off    Gate / Ducker: Threshold; -60 – 0dB   Attack; 50us – 100ms   Hold; 2ms – 2s   Release; 5ms – 5s   Range; 0 - 90dB   Key; Any Source   Key Listen   Freq/Width; 20 – 20kHz    Compressor: On/Off   Threshold; -60 – 0dB   Attack; 500us – 100ms   Release; 10ms – 10s   Ratio; 1:1 – 50:1   Gain; 0 to +40dB   with Autogain Option   Link; Any Channel/Buss   Hi Crossover; 20Hz – 20kHz   Lo Crossover; 20Hz – 20kHz   S/C Source : Any source   S/C Listen : On/Off   S/C Filter Freq/Width: 20Hz – 20kHz   Insert B: (Post EQ/Dyn) On/Off   EQ/Dyn Order: EQ/Dyn or Dyn/EQ   Mute: Channel Mute / Hard Mute   Solo: Solo Buss 1 / Solo Buss 2 / Both, Auto Solo   Channel Safe: Trim, EQ, Dyn, Fade/Mute, Inserts, Outputs, Full Safe   Output Routing: Outputs, Insert A, Insert B, FX   Fader: 100mm Motorised Fader ∞ to + 10dBX