Directing the Documentary, 7th Edition

Directing the Documentary7th EditionBy Michael Rabiger, Courtney Hermann554 Pages - 365 B/W Illustrations Paperback: ISBN 9780367235574  eBook: ISBN 9780429280382  Directing the Documentary is the definitive book on the documentary form, that will allow you to master the craft of documentary filmmaking. Focusing on the hands-on work needed to make your concept a reality, it covers the documentary filmmaking process from top to bottom, providing in-depth lessons on every aspect of preproduction, production, and postproduction.The book includes dozens of projects, practical exercises, and thought-provoking questions, and offers best practices for researching and honing your documentary idea, developing a crew, guiding your team, and much more. This fully revised and updated 7th edition also includes brand new content on the rise of the documentary series, the impact of video on-demand and content aggregators, updated information on prosumer and professional video (including 4K+), coverage of new audio & lighting solutions and trends in post-production, coverage of the immersive documentary, and provides practical sets of solutions for low, medium, and high budget documentary film productions throughout. The companion website has also been fully updated to a variety of new projects and forms.By combining expert advice on the storytelling process, the technical aspects of filmmaking and commentary on the philosophical underpinnings of the art, this book provides the practical and holistic understanding you need to become a highly regarded, original, and ethical contributor to the genre. Ideal for both aspiring and established documentary filmmakers, this book has it all. Table of ContentsPreface to the Seventh EditionBOOK I: GETTING STARTEDPART 1: YOU AND YOUR IDEASChapter 1 You and Film AuthorshipChapter 2 The Nature of DocumentaryPART 2: DOCUMENTARIES AND FILM LANGUAGEChapter 3 How the Documentary DevelopedChapter 4 Constructing RealityChapter 5 Story Elements and Film GrammarPART 3: PREPRODUCTIONChapter 6 Developing Story IdeasChapter 7 Hypothesis, Research and PlanChapter 8 Developing Ideas for a Short DocumentaryPART IV PRODUCTIONChapter 10 Capturing SoundChapter 11 LightingChapter 12 CameraChapter 13 Directing and InterviewingPART 5: POSTPRODUCTIONChapter 14 Creating the First AssemblyChapter 15 Developing the EditChapter 16 Fine Cut, Music, Audio and Color CorrectionBOOK II: ADVANCED CONCEPTSPART 6: DOCUMENTARY AESTHETICSChapter 17 Point of View and StorytellingChapter 18 Dramatic Development, Time and Story StructureChapter 19 Using Form and StyleChapter 20 Reconstruction, Reenactment and DocudramaChapter 21 Values and EthicsPART 7 ADVANCED PRODUCTION ISSUESPART 7A ADVANCED PREPRODUCTIONChapter 22 Handling Larger ProjectsChapter 23 Relations with Participants, Story Development and Funding ProposalsChapter 24 Advanced Technology, Budgeting, SchedulingChapter 25 Preparations before DirectingPART 7B: ADVANCED PRODUCTIONChapter 26 Optics and PerceptionChapter 27 Advanced Cameras and Support EquipmentChapter 28 Advanced Location SoundChapter 29 Advanced Directing: ParticipantsChapter 30 Advanced Directing: CameraChapter 31 Advanced InterviewingPART 7C ADVANCED POSTPRODUCTIONChapter 32 From Transcript to AssemblyChapter 33 Creating NarrationChapter 34 Original MusicChapter 35 Editing Refinements and Structural SolutionsChapter 36 The Final Sound MixPART 8: WORKChapter 37 Developing a CareerChapter 38 Starting up on Your OwnIndexAuthor BiographyMichael Rabiger began in the cutting rooms of England’s Pinewood and Shepperton Studios, became an editor and BBC director of documentaries, and then specialized for many years in the US as a production and aesthetics educator. At Columbia College Chicago he was co-founder, then chair of the Film/Video Department and founded the Michael Rabiger Center for Documentary. He has directed or edited more than 35 films, was a founding faculty member and then Chair of the Film/Video Department at Columbia College Chicago, and has given workshops in many countries, designed and led a multinational European documentary workshop for CILECT, won the International Documentary Association’s Scholarship and Preservation Award, and was also awarded the Genius/Career Achievement Award by the Chicago International Documentary Festival. He is the author of Developing Story Ideas and co-author of the enormously successful Directing: Film Techniques and Aesthetics, now in its sixth editionCourtney Hermann is an Assistant Professor of Film at Portland State University, an award-winning independent documentary filmmaker, and a non-fiction media producer. Courtney's work is distributed by Public Broadcasting Service and its affiliates, through educational film catalogues, at film festivals, and through impact distribution to community partners.