Introduction to Cinematography: Learning Through Practice, 2nd Edition By Tania Hoser

2nd EditionIntroduction to Cinematography: Learning Through PracticeBy Tania Hoser Available for pre-order on August 6, 2024. Item will ship after August 27, 2024 ISBN 9781032408842476 Pages 421 Color & 37 B/W IllustrationsAugust 27, 2024 by Routledge Description: Introduction to Cinematography offers a practical, stage-by-stage guide to learning, combining and using the creative and technical aspects of cinematography. Building from a skills-based approach focused on professional practice, cinematographer and award-winning author Tania Hoser provides a step-by-step introduction for both cinematographers and camera assistants to the techniques, processes and procedures of working with cameras, lenses and light. Building on the success of the first book, this second edition adds all-new chapters on virtual production and extended reality, as well as a significant increase in low-budget examples and case studies, to accommodate every reader. Richly illustrated, the book incorporates exercises and sample scripts throughout, exploring light, color, movement and the language of the lens. The principles and techniques of shaping and controlling light are applied to working with natural light and film lamps and, as with all areas of cinematography, show both high-end and low-budget options. This makes the second edition of Introduction to Cinematography the most up-to-date and essential resource for anyone aiming to acquire the full range of cinematography skills, allowing seamless progression from exercises through to full feature shoots. Assessment rubrics also provide a framework to measure progress as the reader’s ability to visually interpret scripts and enhance the director's vision develops. Winner of 'Best new Textbook in Humanities and Media Arts' in the Taylor and Francis Editorial Awards 2018 Table of Contents: Acknowledgements Preface Section A CHAPTER 1 The Cinematography Triangle: Technology, Technique and Taste Developing Your Visual Language How and Where to Learn Cinematography Techniques for Developing Creativity and Imagination The Creative Workflow Assessing Your Work Section B CHAPTER 2 The Role of The Camera Assistant in Pre-Production The Role of The Cinematographer in Pre-Production The Camera Crew Shoot Procedure Step-By-Step How to Survive the Shoot Working Safely with Equipment Protecting The Camera Equipment CHAPTER 3 Focus and Focus Pulling Best Practice for Putting on the Clapper Board Record Keeping: Notes and Camera Sheets Managing Batteries and Power Supply Setting Up and Calibrating the Monitor Data Management and Rushes Delivery CHAPTER 4 Understanding Exposure The Camera and The Camera Sensor Clipping and Avoiding Clipping Recording Color and Bit Depth Recording Formats Moiré / Strobing Exposure Exposure Problems and Solutions Controling The Look of The Image with Aperture and Shutter Speed White Balance Black Balance/Shading Flare Polarization Summary CHAPTER 5 Selecting An Appropriate Camera for Your Production Needs and Budget Choosing Lenses Assembling The Camera https://www.youtube.com/watch?v=JxvOp6J2vgo Camera and Lens Mounting in 9 Minutes! By Cinema Studies https://www.youtube.com/watch?v=mLXPCHd1b1M Build a Basic ALEXA Mini Studio Kit with ARRI Alura 45-250mm Zoom By Visual Impact https://www.youtube.com/watch?v=OSg4XzSGLOM& RED One Camera Build By School of Design FTV Camera Supports Securely Connecting the Camera Assembling Camera Accessories Balancing the Camera Camera Menu Set-Ups Cleaning The Camera and Equipment The Cinematographer’s Toolbag The Camera Assistant’s Kit CHAPTER 6 Checking And Prepping the Equipment Tests Usually carried out by Camera Assistants Lens Performance Tests Filter Tests Tests Usually carried out by the Cinematographer Color Tests Dynamic Range Test Low Light Test CHAPTER 7 File and Color Management Part 1: Workflow Step-By-Step Choosing The Camera The Effect of RAW Log or LUT Recording Choices on Resolution, Dynamic Range and Bit Depth LUT and LUT Options Containers Codecs and Bit Rate: Their Effect on File Size and Flexibility Part 2 the Post-Production Workflow The Grade Exporting For Delivery ACES Supporting Concepts and Theories Section C CHAPTER 8 Virtual Production How Virtual Production Works Advantages of VP Disadvantages of VP Technical Difficulties and Restrictions with VP Alternatives to Virtual Production Effective Virtual Production Cinematography Elements of Virtual Production VP Developments Virtual Production on a Budget The Difference Between Virtual Production and Extended Reality Section D CHAPTER 9 Focal Length and Composition The Z-Axis How Sensor Sizes Affect the Angle of View How Sensor Size Affects Depth of Field Composition and Storytelling Choosing Shot Sizes Using Depth of Field and Focus Pulling for Storytelling Screen Direction: Right to Left and Left to Right Headroom Leadroom Aspect Ratio, Genre and Composition Frame Height Power and Perspective Photographic Composition Guidelines Arrangement of Objects Within the Frame CHAPTER 10 Genre and Stereotype The Gap Between Intentions and Reality Working With the Director Blocking and Shooting the Scene Continuity Coverage Recurring or Developing Elements in Scenes Throughout the Film Developing and Changing the Positioning of People Positioning and Movement of Background Elements and Action Viewer’s Perspective and Eyeline Fast and Slow-Paced Scenes Developing Shots and Oners Camera Movement Production Constraints The Magic Bullet CHAPTER 11 Part 1: Controlling Pace and the Flow of Time Story Time, Film Time and Screen Time Controlling the Flow of Time Speeding Up Time Fast Motion Expanding or Slowing Down Time Part 2: Controlling the Shutter to Create a Look and Avoid Flicker The Effect of Shutter Speed, Shutter Angle and Frame Rate on the Look of a Film Flicker Flicker Flicker: Lamp Choices, Shutter Speeds Hz, Flicker and Phasing Understanding and Avoiding the Rolling Shutter Effect Section E CHAPTER 12 The Freedom and Scope of Working Alone Types and Modes of Documentary Preparation Permissions Ethics Choosing Equipment Preparing Kit for a Shoot and Keeping it Safe Lens Choice and Camera Settings for Documentary Shooting Workflow and Recording Settings Lighting and Lighting Equipment Shoot Procedure Covering A Scene and Shooting for the Edit Shooting Observational Documentary Solo Shooting Techniques Lighting Interviews Shooting Interviews Cinematographer’s Guide to Recording Sound Documentary Filming Assessment Rubric Section F CHAPTER 13 Benefits of Having a Dedicated Camera Operator The Effect of Camera Movement on the Viewer Devising Shots Working with Others Framing Eyelines Crossing the Line Selecting Equipment Techniques and Tools for Shooting Hand-Held Key Points for Self-Assessment Section G CHAPTER 14 Key Light Fill Light and Lighting Ratios Flat Light Why Measure light Monitoring and Measuring Light Light Metering and Measurement Exposure CHAPTER 15 Natural Light Available Light Assessing Locations for Natural Light Assessing Locations for Available Light Assessing Locations for Lighting by Contrast Working with the Weather Shooting Day Exteriors Magic Hour, Evening and Night Shoots Day Interiors in Available Light Lighting Interviews Available Light Night Interiors Day for Night CHAPTER 16 10.4324/9781315305318-15 Part 1: Shaping and Controling Light Creating Motivated Light and Emulating Light Sources Controling Shape with Light Motivated Key Light Intensity, Distance, Drop-Off and the Inverse-Square Law Techniques for Creating Fill Light Back Light Controling and Modifying Light Softening or Sharpening Light Reflection Refraction Part 2: Choosing Lamps Lighting Control: Apps and DMX and IP or remote-controlled motorized lamps How to Select Appropriate Lamps CHAPTER 17 Differences Between Lighting Studio Sets and Locations Timing Priorities and Planning Production Design and Planning Lighting The Order and Process of Lighting Setting Lamps Drawing Attention to Different Parts of the Frame Diffusing With Smoke – Fog Day Exteriors Day Interiors Night Interiors Night Exteriors Wet Downs Light Changes During a Shot Lighting Green-Screen Car Interiors Stairs and Halls or Corridors Lighting with Very Little Time Working with the Lighting Department Section H CHAPTER 18 Imagination and Visualization Controlling The Look: From Outside to Inside What to Create During the Shoot and What to Leave to Post Color Sharpening or Softening the Image Choice of Lenses Camera Choice Shooting on Film Image Control and Grading Section I CHAPTER 19 The Personal Picture The Bigger Picture Living Where the Industry is Small Specialist Routes and Specialist Roles Becoming a Cinematographer Starting as A DP Moving up From AC to DP Developing Your Career as A DP Index Author: Tania Hoser is a bestselling Author and Cinematographer who has won the Kodak and Metz cinematography prizes and shot six multi-award-winning films. Tania has also had several television commissions as a writer/director. She has taught film, photography and cinematography at universities in several countries, including the University of the West Indies, Barbados, and Abu Dhabi Women’s College, United Arab Emirates. Book Reviews: Tania Freimuth, DP and Cinematography Specialist Tutor at the London Film Academy Tania Hosers 'Introduction to cinematography, learning through practice' is like film school in a book. It is an inspiring and engaging in-depth resource that, through a series of well thought out exercises, creates the perfect balance between learning the art and the craft of cinematography. Deland Nuse, Director/Cinematographer; Lecturer, Department of Film, Television and Digital Media, UCLA One of the most practical and useful books on the art and technique of cinematography for students and working professionals that we have. I highly recommend Tania Hoser’s book for teachers and students of cinematography. Louise Ready-Syrat, University of Salford There is a lot of detail in each chapter, demonstrating the writer’s experience of working on set, as well as lots of little nuances that only someone who is working in the industry would know and can pass on. So many that even I forgot many of them…! Shipping Options: We offer free standard shipping on every order across the globe.