Atomos Ninja V 5" 4K HDMI Recording Monitor ATOMNJAV01 - 6PC Accessory Bundle

Short Description 1920 x 1200 Touchscreen Display10-Bit Exterior Viewable Monitor4K HDMI Input1000 cd/m² BrightnessAtomHDR Mode with 10-Stop Dynamic Range10-Bit 4:2:2 ProRes & DNxHR EncodingRecords to Mini SSDsSupports a Variety of Log FormatsSingle Sony L-Series Battery Slot   Kit Includes Atomos Ninja V 5" 4K HDMI Recording Monitor ULTIMAXX Small Gadget Bag/Case ULTIMAXX HDMI A-A 12FT GOLD PLATED (STANDARD) ULTIMAXX LENS CLEANING PEN ULTIMAXX Microfiber Cleaning Cloth ULTIMAXX STARTER CLEANING KIT ULTIMAXX 6.5 TABLETOP PISTOL GRIP TRIPOD   In The Box With The Main Item Atomos Ninja V 5" 4K HDMI Recording Monitor Power Supply Master Caddy II   Long Description The Atomos Ninja V 5" 4K HDMI Recording Monitor is a 5" on-camera monitor/recorder that records and plays back DCI 4K, UHD 4K, and HD video from purpose-built mini-SSDs. It features a 10-bit FRC IPS screen with a brightness of 1000 cd/m², which makes it suitable for use in both exterior and interior conditions. The AtomHDR display technology allows you to accurately monitor your log gamma footage without having to view flat, washed-out looking images or use a LUT to compress the dynamic range and color space. The monitor supports popular log formats from Sony, Canon, Panasonic, ARRI, RED, and JVC cameras. The settings only affect viewing, with recorded video remaining unaltered.Built to withstand the rigors of production, the Ninja V features an aluminum chassis and powers from a single L-series battery. Additional features include a variety of onscreen exposure analysis, framing, and focus assist tools, as well as anamorphic de-squeeze. A power supply and SSD Caddy are included with the unit.AtomHDRWith AtomHDR you can monitor up to ten stops of dynamic range of your camera's LOG image. Most conventional monitors can only display six or seven stops, which is fine for standard footage; but a Log image will look overly flat. It is also superior to monitoring with a loaded LUT, which can clip the highlights and mask shadows. Supported Log FormatsARRI Log CCanon CLog / CLog 2Fuji F-LogJVC JLogSony SLog2 / SLog3Panasonic VlogRED LogFilm HDR RecordingARRI Log CEI160 / LogCEI200 / LogCEI250 / LogCEI320/ LogCEI400 / LogCEI500 / LogCEI640 / LogCEI800 / LogCEI1000 / LogCEI1280 / LogCEI1600Canon CLog / CLog2 / Clog3Fuji F-LogJVC JLog1Panasonic VlogPQ10k, HLGRED LogFilm / Log3G10 / Log3G12Sony SLog / SLog2 / SLog3 HDR MonitoringARRI ALEXA Wide GamutCanon Cinema / DCI P3 / DCI P3+ / BT2020Fuji F-LogJVC LS300Panasonic V GamutRec. 2100Rec. 709RED DragonColor / DragonColor2 / RedColor2 / RedColor3 / RedColor4 / RedWideGamutSony SGamut / SGamut3 / SGamut3.cine / BT2020Wide Color Gamut (SGamut / SGamut3 / SGamut3.cine / Canon Cinema / BT2020 / DCI P3 / DCI P3+ / Panasonic V Gamut / ARRI ALEXA Wide Gamut) mapping to Rec. 709 on screenWide Color Gamut (SGamut / SGamut3 / SGamut3.cine / Canon Cinema / BT2020 / DCI P3 / DCI P3+ / Panasonic V Gamut / ARRI ALEXA Wide Gamut) mapping to Rec. 709 / BT2020 / DCI P3 on loop out 4K 60p CapabilitiesRecord high-resolution 4K footage in DCI or UHD formats up to 60 fps, including 24 and 25 fps for a more film-like aesthetic. All recordings are stored as high-quality Apple ProRes or Avid DNxHR files with 10-bit 4:2:2 chroma subsampling. A variety of bit rates are available to fit your project and storage needs. Audio I/OAudio can be input and output via the multi-pin locking connector. Separately available breakout cables can provide XLR audio input with 48V phantom power and output. A 3.5mm headphone jack on the side can be used for convenient audio monitoring. 5" Daylight Viewable ScreenThe Ninja V features a 5" IPS LCD screen that is illuminated by a bright 1000 cd/m² LED backlight, making it possible to view in daylight without requiring a hood. Plus, the screen is also color calibrated from the factory to ensure accurate image representation. HDR Signal ManagementLog and HDR signals can be difficult to monitor with conventional equipment. Though, with the Ninja V's built-in HDR signal management functions, the log signal can be converted to the PQ standard for compatibility with existing consumer and professional HDR equipment. Anamorphic De-SqueezeThe Ninja V supports Anamorphic de-squeeze, allowing you to comfortably view anamorphic footage with a squeeze of 2x, 1.5x, 1.33, and Panasonic's 8:3. Edit-Ready RecordingIncoming video signals can be recorded in a wide range of Apple ProRes and Avid DNx codecs which maintain high quality while not requiring the storage space of uncompressed video. Both ProRes and DNx are edit-friendly, requiring no conversion in post-production to ensure smooth playback and compatibility with most common video editing software. Expansion ModulesThe Ninja V features a bidirectional high-speed video port along with power and audio which allows future expansion modules to increase the Ninja V's capabilities.